“Beauty informs our experience of nature deeply,” explains exhibition curator John Stomberg, “and our definitions of aesthetics grow out of, sometimes even push against, forms discovered in the natural world. Not surprisingly, then, we identify as “beautiful” photography that seeks the essential patterns inherent to our universe. This exhibition presents artists and scientists engaged with the photographic revelation of both the visible and invisible actions of the physical universe.”
About the artists
Eadweard Muybridge started his photographic career on the creative side, making artistic landscapes for sale in his San Francisco gallery. By the turn of the century he had devised a technique to photograph the stages of motion by using a sequential imaging method that led directly to the development of cinema. The American expatriate artist Man Ray created his portfolio of photogravures, Electricité, as an interpretive scheme for understanding the meaning, rather than the functioning, of electricity. Berenice Abbott turned to photographing representations of physics late in her career. She argued that physicists needed the aid of an artist to fully explain their work and joined a team at MIT who wrote the new standard text book for high school physics in the late 1950s. Harold Edgerton, a brilliant MIT electrical engineer, pioneered the use of strobe lights in understanding the mechanics of motion. Imaging for him became an end in its own right and he produced portfolios of his photography for sale during his lifetime.
About the Scientists
Biologist Joan Edwards’ super slow motion studies of flower blooms have led to new understandings of the process involved with the entire reproductive cycle of plants. Astrophysicist Karen Kwitter works to understand the composition of bodies in space through the study of the light they emit—her work parallels the interpretive strategies used in the Hubble Telescope images on display. Edwards and Kwitter demonstrate the ongoing use of photography in the practice of science and the contribution that aesthetics often makes to the reporting of data in their work.