“These photographs offer descriptions instead of resolutions. Readers charged with dissecting coded information, are confronted with their own notions of race.”
Chicago-based artist Myra Greene (American, b. 1975) creates works that engage photography as both an art form and a social-scientific instrument used to objectify and classify people into social types. In much of her previous work, Greene poses the question: “How do we look at black people and recognize their character? ”In My White Friends, she considers whether a photograph can capture and depict the nuances of whiteness. Greene’s portraits examine her white companions as archetypal figures, a collectivity, and a racial group. The subjects’ physical bodies and the spaces they inhabit signify whiteness as a complex cultural construct that raises questions about status, cultural and racial norms, and privilege.
However, Greene’s sitters are not just anonymous stand-ins for a political and cultural point. Her portraits are also intimate portrayals of people the artist knows well in the places they feel most comfortable. The artist and her subjects, such as D.N. of Chicago standing cross-legged with her shades, polo, and golf club, are at times playfully complicit in a performance of whiteness. More often, they simply exist in the worlds that they have constructed.