Tuesday, June 10, 2014
Umberto Boccioni (Italian, 1882-1916), Schnelligkeit, 1914, lithograph on paper, Gift of Susan W. and Stephen D. Paine, Class of 1954.
Thursday, March 20, 2014
Like many Williams undergraduates, I only learned that a field called “art history” existed after I arrived in Williamstown in the fall of 1961.
Friday, February 28, 2014
It was a time for showing physical bravery and bravura connoisseurship, an unlikely pairing. This was the dynamic duo necessary for the men and women of the Monuments, Fine Arts and Archives section (MFAA) of the Allied forces in Western Europe.
Tuesday, January 14, 2014
The newest addition to the WCMA family is Kevin Murphy, the Eugénie Prendergast Curator of American Art. Kevin is slated to present an installation of American art from WCMA’s permanent collection this spring.
Tuesday, October 29, 2013
What will artist Senga Nengudi be bringing with her this Saturday at 3:00 p.m. for her Plonsker Family Lecture in Contemporary Art and the Q & A following? In forty years of activity in the art world, Nengudi has produced a near lifetime’s worth of sculptural creations…
Friday, October 18, 2013
Deputy Director of Curatorial Affairs, Lisa Dorin and WCMA staff with Anselm Kiefer.
Q: Lisa, what can you tell us about the relationship between the Early Anselm Kiefer show and MASS MoCA’s long-term Kiefer installation from the Hall collection? How did WCMA’s exhibition come about?
Tuesday, September 24, 2013
Grant Wood (American, 1892-1942), Death on the Ridge Road, 1935, oil on masonite. Gift of Cole Porter. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY.
Ever wonder about the previous owners of works in WCMA’s collection? Grant Wood’s Death on the Ridge Road is a striking example. The painting was a gift to the museum by the illustrious songwriter and composer Cole Porter in 1947.
Wednesday, July 24, 2013
Tour of Now DIg This! at WCMA with curator Kellie Jones.
Q: Welcome to WCMA, Kellie. Can you tell us a bit about how the installation of Now Dig This! will differ from its installation at the Hammer and MoMA’s P.S. 1?