Monday, November 25, 2013
Caption: Sol LeWitt, Arcs 12" wide from the upper right corner of the wall alternating bands of yellow, red, and blue ink washes, May 1988. © 2013 The LeWitt Estate / Artists Rights Society (ARS), New York.
When thinking back to my time at Williams, rather than any work of art in particular at WCMA, it is the space of WCMA itself that left an impression. One of the things that remains with me most from the museum is the art on the wall of the stairway.
Friday, October 25, 2013
On the first day of the fall semester, the ten students in Professor E.J. Johnson’s tutorial Architecture of Louis I. Kahn visited the Rose Gallery at WCMA. The moment I stepped inside and saw Kahn’s 1929 Towers, San Gimignano, I experienced the happy warmth of encountering a familiar face.
Tuesday, September 24, 2013
Grant Wood (American, 1892-1942), Death on the Ridge Road, 1935, oil on masonite. Gift of Cole Porter. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY.
In the spring of 1976, I went up to Williamstown during the process of deciding where I would go for graduate school in art history.
Friday, August 30, 2013
When Williamstown Theatre Festival relocates to the Berkshires each summer, our team takes over the Greylock Quad section of Williams College. Right smack in the middle of the quad is a fairly substantial metal sculpture that—up until this year—I knew little-to-nothing about.
Tuesday, July 9, 2013
What first drew me to Edward Hopper’s Morning in a City was his deployment of the gaze. It is a simple enough scene of a young woman standing in a bedroom as her day begins.
Thursday, June 20, 2013
I have spent so much time with so many objects in the Williams College Museum collection that it is hard to choose just one.
Tuesday, May 28, 2013
Among my favorite pieces at WCMA is the 12th century Flemish baptismal font that quite literally took up space in the medieval art room – requiring visitors to walk about it. Although at first glance the font appears nondescript, faceted edges and angles create shadows with light.
Monday, April 29, 2013
When I started my position as the Coordinator of Education Programs at WCMA in mid-November, I was introduced to the Kidspace: Artistic Curiosity exhibition, where I would be working with Museum Associates to provide K-12 tours throughout the academic year. As I entered the gallery, I was immediately taken aback by a white figure with pointed ears, balanced on a tiny green ladder and holding a violin.
Tuesday, March 26, 2013
I had been working on a composition of Niagara Falls for years—since 1996—shortly after I had seen my friend Frank Moore’s treatment of the subject.
Wednesday, February 20, 2013
I first encountered Man Ray’s work in a museum in Germany back in the 70s when I was beginning my work in video. I was knocked out by the daring and the beauty of his radical imaging. This was Fine Art made of technology.