Thursday, March 20, 2014
Like many Williams undergraduates, I only learned that a field called “art history” existed after I arrived in Williamstown in the fall of 1961.
Thursday, February 27, 2014
Sometimes art has a way of nuzzling against your curiosity and tugging you back to look a little longer and a little deeper. For me, Carrie Mae Weems’s “Kitchen Series” is just that kind of ‘sometimes art’.
Wednesday, January 29, 2014
Less than a month after I arrived at Williams as a graduate student in the art history program, I had my first hands-on experience at WCMA, wielding a paint roller in one of the museum’s galleries!
Friday, December 20, 2013
I love William Morris Hunt’s 1878 Niagara Falls. This is partly because, as a transplanted Canadian, the painting calls me back – across a border of time as well as place…
Monday, November 25, 2013
Caption: Sol LeWitt, Arcs 12" wide from the upper right corner of the wall alternating bands of yellow, red, and blue ink washes, May 1988. © 2013 The LeWitt Estate / Artists Rights Society (ARS), New York.
When thinking back to my time at Williams, rather than any work of art in particular at WCMA, it is the space of WCMA itself that left an impression. One of the things that remains with me most from the museum is the art on the wall of the stairway.
Friday, October 25, 2013
On the first day of the fall semester, the ten students in Professor E.J. Johnson’s tutorial Architecture of Louis I. Kahn visited the Rose Gallery at WCMA. The moment I stepped inside and saw Kahn’s 1929 Towers, San Gimignano, I experienced the happy warmth of encountering a familiar face.
Tuesday, September 24, 2013
Grant Wood (American, 1892-1942), Death on the Ridge Road, 1935, oil on masonite. Gift of Cole Porter. © Figge Art Museum, successors to the Estate of Nan Wood Graham/Licensed by VAGA, New York, NY.
In the spring of 1976, I went up to Williamstown during the process of deciding where I would go for graduate school in art history.
Friday, August 30, 2013
When Williamstown Theatre Festival relocates to the Berkshires each summer, our team takes over the Greylock Quad section of Williams College. Right smack in the middle of the quad is a fairly substantial metal sculpture that—up until this year—I knew little-to-nothing about.
Tuesday, July 9, 2013
What first drew me to Edward Hopper’s Morning in a City was his deployment of the gaze. It is a simple enough scene of a young woman standing in a bedroom as her day begins.
Thursday, June 20, 2013
I have spent so much time with so many objects in the Williams College Museum collection that it is hard to choose just one.