It was the best work-study job ever. After a year of washing dishes in Baxter (who could forget the flume?) and another cataloguing books in the math library, I spent junior and senior years working on the so-called Prendergast project, an ambitious effort…
When I see Twilight Toil, 1943 by American artist Allen Lewis, I think of all those who have come before me to prepare the soil for planting. This elegant woodcut evokes the cool evening air of April, as a jacket-clad farmer walks behind his plow horse, readying his fields under the sliver of a waning April moon.
It was a time for showing physical bravery and bravura connoisseurship, an unlikely pairing. This was the dynamic duo necessary for the men and women of the Monuments, Fine Arts and Archives section (MFAA) of the Allied forces in Western Europe.
Sometimes art has a way of nuzzling against your curiosity and tugging you back to look a little longer and a little deeper. For me, Carrie Mae Weems’s “Kitchen Series” is just that kind of ‘sometimes art’.
Williams alum Bridget Ngcobo ’12 works with Zanele Muholi’s media collective Inkanyiso. In her most recent post on from South Africa she writes about Zanele Muholi’s Mo(u)rning exhibition at the Wits Art Museum in Johannesburg.
The newest addition to the WCMA family is Kevin Murphy, the Eugénie Prendergast Curator of American Art. Kevin is slated to present an installation of American art from WCMA’s permanent collection this spring.